EMO音乐剧

　　等待一甲子，传说般的神话之鸟现身
　　顶着黑色羽冠、前端像沾到黑色墨水的橘色嘴喙、一身浅灰白色羽毛，这种在1861年被人类命名以来，就鲜少见到其踪影的燕鸥，究竟只是个神话，还是真实存在世界上？
　　
　　2000年，一次底片调光机的故障，让生态摄影师梁皆得，在马祖意外发现60几年前被认为绝种的黑嘴端凤头燕鸥。自此，对这传说中「神话之鸟」怀有梦想的人们，穿梭在亚洲各国沿海，以及无数个无人小岛之间，有时遭遇大雨风浪，有时冒着跌入大海的危险，只为了能发现它们的踪迹。
　　
　　寻找神话之鸟二十年，它们的数量从八只，到现在约一百只，仰赖迁徙路径上，各国的保育行动。然而，每年夏天台风对繁殖地的侵袭，捡鸟蛋、海洋垃圾、鱼类资源减少等自然与人为破坏，仍然对黑嘴端凤头燕鸥的生存造成庞大威胁。梁皆得跟随各国学者专家，纪录着黑嘴端凤头燕鸥、当地热爱这些鸟类的人们，以及自然环境三者所相互交织的故事。

　　集合了亚洲各地10位当红名模，由MaggieQ监制，包括台湾甜姐儿林志玲都入镜的“LoveAsia”DVD，于24日起全亚洲同步发行，“LoveAsia”由新加坡时尚摄影师LeslieKee掌镜，在度假胜地马来西亚兰卡威、吉隆坡等地拍摄，充满夏日风情。林志玲在当中展现琴艺、小秀舞蹈，以及与众名模们至PUB狂欢的幕后镜头。

　　What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.

　　故事起始于默片传奇露易丝布鲁克斯，她在1929年经典电影（潘朵拉的盒子）中会发现她走出银幕，朝镜头跳舞，她向我们道谢，因为有我们的观看使她的记忆再次生动。其他默片女演员也从电影片段中现身，讲述她们的故事，并与那些过往的人物互动。而每次有人观看她们的电影时，这些女人就会重生在这虚实交错的银幕上的照片与电影片段，彼此分享那一段段的记忆。

　　From the harsh, nomadic life on the tundra to an uncertain future with five children. Four years in the life of a strong and charismatic woman.
　　Life is raw and harsh out in the Arctic tundra, where young Ivanna lives a nomadic life with her five children. A tough and charismatic woman who is put to the test when she has to give up the traditional life of the Nenets people and move to the city. The climate is changing, her reindeers are dying, and her husband, Gena, has turned into an alcoholic because of his job at a gas plant. And even though Ivanna can put both him - and everyone else - in their place with her killer gaze and no-nonsense attitude, she harbours a desire to liberate herself from the violent relationship. Four years in Ivanna’s life have become a formidable film created with an artist’s eye for the material texture of the world where an image of a sleeping child, three fish and a hungry cat almost become a cosmic motif. This is vital, physical film art with an unforgettable woman at its centre. Meanwhile, Ivanna’s letters, which are read aloud by herself, lift her story above the raging of the elements. Director Renato Borrayo Serrano, who was born in Guatemala and lives in Russia, has created a drama about liberation and a melancholy requiem about a bygone way of life.

　　时尚设计师马洛诺·布朗尼克的纪录片[马洛诺：为蜥蜴制鞋的男孩](Manolo: The Boy Who Made Shoes For Lizards，暂译)北美发行权被Music Box Films买走。布朗尼克一直是最受人追捧的时尚品牌之一。从这部纪录片中可以了解布朗尼克背后的故事，以及设计师本人对时尚和艺术的见解。

　　印度丛林深处，揭开一位母亲的踪迹。

1958年5月25日，中共八届五中全会在北京召开，当天下午，毛泽东率领全体中央委员到十三陵水库工地参加义务劳动。工地沸腾了，领袖们谈笑风生的和普通群众肩并肩手挽手的挖土提框、搬砖运石的镜头，至今仍然感染着全国的劳动者。

　　本纪录片以红极一时的好莱坞明星——方·基默为主角，通过他在儿时、在演艺生涯间拍摄的个人视频，以及与他兄弟一起合作拍摄的家庭电影等资料，来展现一段他这四十多年来的复杂人生。

《公園》 — 兩位印尼詩人相約在夜裡的台南公園會面，各自將白天在這座公園裡，與印尼同胞們的相遇、相處等所見所聞所感，譜成詩歌，發想成計畫，於夜裡吟唱、想像、行動⋯⋯。白日採集，夜裡釋放，像一則古老的影像寓言，但我們始終見不到他們所說的白日種種，只能任夜裡的話語，投射出面貌不一的形象。漫漫長夜有訴不盡的故事，說故事的人也變成了故事的一部分。

　　好似從自然與動物觀點直視人類醜惡的影像詩歌。春雷乍響，馬羊閒步，白色雲影搖曳，一切自成韻律。與那國，日本最西端的小島，距離台灣僅111公里，僅千餘人口，安靜地漂浮於海上。導演黃信堯此回嘗試放棄敘事的掌控，讓孤島上的各個元素自成一畫，樸拙而不失真地串接成一部刻畫疏離與距離的絕美影像，並從中尋找到自身與島民存在的意義。