采盐人

　　在这部纪录片中，导演以个人家庭的经历为切入点，深刻剖析了美国食品药品管理局和制药行业的诸多道德问题。

　　1970年末，当波兰爆发抗议时，一个危机处理小组在华沙成立。不久之后，民兵开始使用警棍。枪支开火。通过录音档案和动画，观众可以观察到各个权力机制。本片从压迫者的角度，讲述了一个关于反抗的故事。

　　What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of
a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.

1984年，劉若瑀當時離開臺灣到美國加州，向波蘭劇場大師葛羅托斯基（Jerzy GROTOWSKI）學習表演，在一座牧場中她與其他來自各地的表演者日以繼夜地訓練。劉若瑀回到臺灣，於1988年創辦了「優劇場」，帶領一群人一同經歷「溯」計畫，藉由拜訪各地老師傅，向他們學習傳統技藝：太極、車鼓、高蹺、道士等，透過不斷地身體訓練，尋找著屬於東方人的表演方式。
　　1994年轉變為「優人神鼓」，透過靜坐、擊鼓與武術建立出優人的訓練與表演方法，從外在的形式，轉為内在的追求。1998年，優人神鼓以《聽海之心》在法國亞維儂藝術節演出，一舉登上世界舞台。
　　如今優人神鼓走過三十年，下一步優人將會走向何方？

　　和平精英职业联赛（简称：PEL）成立5年，从全国数亿和平精英用户当中脱颖而出的百名“特种兵”集结于电竞舞台，本片重点记录了3名选手：元老级选手像素、个性张扬新人选手77H、被称为”PEL第一人”亚运选手伞兵在整个赛季中面对不同困境，披荆斩棘，青春成长的励志故事。

　　对于老牌泰米尔超级巨星拉金尼坎斯，铁杆粉丝对他不是简单的个人崇拜，而是一种坚定的宗教信仰。

纪录片系列揭示了伯纳德·麦道夫臭名昭著的百亿庞氏骗局背后的真相，以及整个金融系统如何让它蓬勃发展了几十年的故事。

A full-length documentary on von Stroheim's life and career, The Man You Loved To Hate blends revealing interviews, rare photographs, and clips from von Stroheim's legendary and lesser-known works to create a fascinating tribute to one of American cinema's most complex artists. Written by Richard Koszarski with music by Herbert Deutsch.

从昔日无名小卒到如今业界大拿，凯文·哈特与克里斯·洛克围绕友情和事业讲述他们之间那些无与伦比却又鲜为人知的故事。

　　驯兽师戴维•胡佛（Dave Hoover）、园艺师乔治•蒙德卡（George Mendonça）、鼹鼠专家雷•门兹（Raymond A. Mendez）、机器人发明家罗德尼•布洛克斯（Rodney Brooks），这四个看起来全不搭调的人被聚集在同一个影片中。他们畅谈自己的人生、工作以及点点滴滴的感悟，这四个似乎风马牛不相及的行业，隐约却又有着些许关联。
　　本片荣获1997年波士顿影评人协会奖最佳纪录片奖、1998年弗罗里达影评人协会奖最佳纪录片奖、1998年独立精神奖真实奖、1998年堪城影评人协会奖最佳纪录片奖、1998年美国国家影评人协会奖最佳纪录片奖、1997年纽约影评人协会奖最佳纪录片奖、1997年得州影评人协会奖最佳纪录片奖。

　　From the harsh, nomadic life on the tundra to an uncertain future with five children. Four years in the life of a strong and charismatic woman.
　　Life is raw and harsh out in the Arctic tundra, where young Ivanna lives a nomadic life with her five children. A tough and charismatic woman who is put to the test when she has to give up the traditional life of the Nenets people and move to the city. The climate is changing, her reindeers are dying, and her husband, Gena, has turned into an alcoholic because of his job at a gas plant. And even though Ivanna can put both him - and everyone else - in their place with her killer gaze and no-nonsense attitude, she harbours a desire to liberate herself from the violent relationship. Four years in Ivanna’s life have become a formidable film created with an artist’s eye for the material texture of the world where an image of a sleeping child, three fish and a hungry cat almost become a cosmic motif. This is vital, physical film art with an unforgettable woman at its centre. Meanwhile, Ivanna’s letters, which are read aloud by herself, lift her story above the raging of the elements. Director Renato Borrayo Serrano, who was born in Guatemala and lives in Russia, has created a drama about liberation and a melancholy requiem about a bygone way of life.

　　新东方快车，铁轨上的五星酒店。Venice Simplon-Orient-Express从伦敦到威尼斯36小时旅程，穿过壮美的阿尔卑斯山脉，2K英镑享受真正奢华。